Is Peyton Manning The Babe Ruth Of Football

by Noiz 29. October 2014 13:56

Is Peyton Manning The Babe Ruth Of Football?

On Oct. 19, Denver Broncos quarterback Peyton Manning broke the record for the most career touchdown passes by throwing number 509.  His finished the game with 510 career touchdown passes.  That’s two more than previous record holder Brett Favre.  It’s perhaps the most hallowed record in all of professional football.

What was lost that evening among the celebration, which included his teammates playing keep-a-way with the record setting ball, and is still overlooked, is the feasibility that Manning can throw 600 career touchdowns.  Yes, that’s right 600 TDs!

At the time of writing this article, Manning has thrown 22 touchdown passes on the season with his Broncos having nine games left on the schedule.   

In 2014, Manning is averaging three touchdowns a game.  His lowest one-game total is two (Week 3 against the Seattle Seahawks).  It’s conceivable that Manning finishes the season with a career total of 540 touchdown passes.

That means Manning will only need to throw 30 touchdowns in each of the next two seasons to reach 600.  For his career, Manning is averaging 32.7 touchdowns a season.

To throw 600 touchdowns, Manning will need to play at 40 years of age and complete his 19th season in the NFL.  Who knows if he can play that long but at 38, and in his 17th season, he shows no signs of slowing down. 

He’s playing for a quality organization, an offensive line that keeps him upright, and has the opportunity to pad his stats against the Oakland Raiders twice a season.  It’s not asking too much for Manning to retire from the NFL with 600 or more touchdown passes.

Just last season, Manning marshaled the greatest offense of all-time and threw for a record 55 touchdowns.

If Manning does eclipse the 600 touchdown mark it will have to be one of the greatest feats in the history of professional football.

Think about it.  To reach that mark, a quarterback needs to average 50 touchdowns in 12 seasons or 30 touchdowns in 20 seasons. 

The ten retired quarterbacks with the most career touchdown passes played for an average of 18 seasons (at the time of writing this article Tom Brady and Drew Brees are tied for fourth-most with 377).  To reach 600 touchdown passes in 18 seasons you’ll need to average more than 33 touchdown passes a season.   

If you include Brady and Brees, then the top 12 career leaders in touchdown passes have thrown for 33 or more touchdowns in a season just 20 times.  Half of those times belong to Brady and Brees.

Even if Manning doesn’t throw another touchdown pass (which is highly unlikely), his current total of 513 is a gigantic number.  You might even say it’s “Ruthian.”  Six-hundred touchdowns is definitely “Ruthian.”

All these numbers have me asking is Peyton Manning the Babe Ruth of football?

First of all, let’s establish exactly what I mean when I compare Peyton Manning to Babe Ruth.  I’m not necessarily talking about statistics or championships.  I’m talking about transcending the game, being a larger than life figure, and becoming a legend.

Babe Ruth is still synonymous with baseball and the lone player everyone can name, even those that don’t follow or even like sports.  Babe Ruth is more than a ball player he’s Paul Bunyan.

It’s this part of Babe Ruth’s legacy that Peyton Manning mimics—a greatness that’s not built on titles and All-Star game appearances but on the ability to make a hard game appear easy to play.

Of course, there are a lot of differences between Ruth and Manning.  Ruth was slovenly and impetuous.  Manning is calculating and cerebral.

Ruth came from a rough part of Baltimore and was sent to a reform school when he was seven.  Manning is football royalty.  His father is college football hall of famer Archie Manning and his brother is New York Giants quarterback Eli Manning.

As a player, Ruth drank, ate, and whored.  He treated his body like Manning treats defensive backs.  Manning, on the other hand, is corporate, professional, and prepared.   He’s an extra coach on the field.  He’s a player who chides the scoreboard operator for having a bad night and thanks reporters when he leaves town.

Ruth’s ebullient smile and gregarious manner goes more with the play style of Brett Favre than Manning.  Ruth’s team success is analogous to what Tom Brady has achieved with the New England Patriots.  And Ruth’s roly-poly body reminds one of Johnny Unitas and his slight frame—in other words, neither one looked like a professional athlete.

In those areas, Ruth and Manning are as different as two legends can get.

Ruth’s fabled hitting prowess came when baseball needed him the most.  The Chicago White Sox had just thrown the World Series and the pastime was sporting a big black eye.  That was quickly forgotten when Ruth started hitting towering home runs—in 1920 Babe Ruth hit more home runs than all but one team.

The NFL has never experienced anything like the so called “Black Sox Scandal” of 1919.  The popularity of football is so great that it can endure almost any indignity.  Still, the NFL offseason usually provides one or two moments of extreme embarrassment.   

This past offseason was marred by Ray Rice and domestic violence.  Manning helped us forget the league’s violent tribulations when he threw an 8-yard touchdown pass to Demaryius Thomas in the second quarter against the San Francisco 49ers.  The toss put Manning into the record books and into the Valhalla of professional football.

When it comes to choosing a Babe Ruth analog, you might opt for the toughness of Jim Brown or the humanity of Walter Peyton.  Yet, professional football belongs to the signal callers not the running backs. 

With that being said, you might choose the coolness of Joe Montana or the leadership of Terry Bradshaw.  Both quarterbacks have four Super Bowl rings.  However, neither mastered the position like Peyton Manning.  Furthermore, Manning has passed their statistical marks in Ruthian style.

The NFL is all about the quarterback.  Offenses and rules keep making it easier for QBs to throw the ball.  So it’s not completely out of the question that Manning’s career touchdown mark, whatever it may be, will be surpassed (by the way, Andrew Luck of the Indianapolis Colts has already thrown for 22 touchdown passes in eight games—in two and half season he’s amassed 68 TD completions).

Ruth’s homerun totals have been surpassed but not his stature.  Manning’s marks are not immortal, they will be eclipsed, but his contributions to the game will never wilt.  

It was said of Babe Ruth that the ball sounded different when it came off his bat.  It was a crack no one had ever heard of before.  While a touchdown pass makes little noise, the way Manning plays quarterback is certainly like nothing we’ve ever seen before.

Perhaps the greatest compliment paid to the greatest quarterback has come from football’s greatest coach…

"I mean, [Manning is] great, he's obviously a great quarterback.  The best quarterback I've coached against... Not to take anything away from the Montanas, Marinos and Elways or whoever is up there with those guys, but [Manning] is tough... He's good at everything.  He's good at everything.  I see no weaknesses in his game." — Bill Belichick

You might argue that it’s too early to compare Manning to Ruth, at least in the manner I’m laying out.  Yet, if Manning even approaches the 600-touchdown mark football fans will have to seriously discuss his status as the greatest football player of all-time.  If he does reach the 600 plateau how can you argue against him?

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Fleetwood Mac And Other Aging Rock Bands

by Noiz 21. October 2014 20:31

Fleetwood Mac And Other Aging Rock Bands

On Oct. 18, at the end of a Fleetwood Mac concert at the Air Canada Centre in Toronto, Mick Fleetwood proclaimed “The Mac Is Back.”

Despite the fact that Fleetwood Mac toured in 2013, Mick is one-hundred percent correct.  The band has been restored to its classic lineup thanks to the return of Christine McVie (nee Perfect). 

McVie left the group in 1998 partly due to an intense fear of flying.  That’s not the phobia to have if you’re a member of a band that performs all over the world.  She has since overcome her aversion to aviation and rejoined the band.

Are Fleetwood Mac concerts nothing but nostalgia?  Well, they haven’t released an album since 2003 (Say You Will) and only three since 1990 (Behind the Mask in 1990 and Time in 1995).  So yeah, you can say their concerts are all about the past.

Does anyone really care (minus rock snobs)?  Don’t we want Fleetwood Mac to play all of their hits, the ones they made famous in the 1970s?

You buy Fleetwood Mac tickets not to experience the vanguard of rock and roll but to return to the halcyon days when Rumours permanently resided on your turntable.

Another way of saying what I’ve been saying is Fleetwood Mac is old. 

How old are they?  And while we’re at it, how old are other classic rock bands? 

We all know they’re old but have any of us ever crunched the numbers?

Quick Note
For the purpose of this article, when I allude to a band’s beginning I’m referring to the year they released their first record (usually a single), not the year they formed or played their first gig.  Also, I only looked at bands that are either still around or have demonstrated that they can still tour (despite being down a man or two).  So The Beatles and Doors are out but Aerosmith and Pearl Jam are not.

Fleetwood Mac
Fleetwood Mac began in 1967.  That means they are 47 years old or nearly four times as old as The Black Keys (who began in 2002). 

Fleetwood Mac will celebrate their 50th anniversary in 2017.

Mick Fleetwood has been in the band the longest.  In fact, he’s the only original member left.  The classic lineup—Mick Fleetwood, John McVie, Christine McVie, Lindsey Buckingham, and Stevie Nicks—has only been around since 1974.  That’s when Buckingham and Nicks joined.  Christine McVie came aboard in 1970.

So the classic lineup of Fleetwood Mac is older than Journey (1975), Tom Petty and the Heartbreakers (1976), Van Halen (1978), and The Pretenders (1979). 

It’s feasible that Fleetwood Mac will launch a 50th anniversary tour.  It’s a long shot if the band commemorates the same milestone for their classic lineup.  I say that because the classic lineup doesn’t turn 50 until 2024.

Since I mentioned 2024… that’s the year Justin Bieber and Harry Styles will exit their twenties; the debut albums of Britney Spears, Jessica Simpson, and Mandy Moore will turn 25; and Nelly will enjoy his 50th trip around the sun.

Surprisingly, the oldest member of Fleetwood Mac is Christine McVie.  She was born on July 12, 1943.  When the Fleetwood Mac tour concludes on March 31, 2015, in Wichita, Kansas, she’ll be 71.  That makes her three times older than Ed Sheeran, Hunter Hayes, and Louis Tomlinson of One Direction.

Rolling Stones
Of course, Fleetwood Mac isn’t the only band nearing the half-century mark.  The Rolling Stones turned 50 in 2013.  They celebrated the achievement with a three-leg, 30-concert tour of Europe and North America. 

The Rolling Stones released their first single in 1963.  That’s the same year Seal, George Michael, Whitney Houston, Bret Michaels and half of Metallica (James Hetfield and Lars Ulrich) were born.

I should tell you that the Stones mark their birthdate as July 21, 1962—their first gig.  Like I mentioned before, I’m counting from the release date of their first record which was June of 1963.  Either way, the band has been around for half a century.

The three remaining original members of the Stones—Keith Richards, Mick Jagger, and Charlie Watts—are in their seventies.  He’s no longer in the band, but bassist Bill Wyman, who joined the Stones before Watts did, was born on Oct. 24, 1936.  At the time of writing this article he was three days shy of his 78th birthday.

Ronnie Wood (born on June 1, 1947) joined the Stones in 1975 but didn’t become a full member until 1993.  That means Wood has been a bona fide member of the Stones longer than Weezer, Limp Bizkit, Wilco, The Black Eyed Peas, and Coldplay have been bands.

The Who
In 2015, The Who will celebrate their 50th anniversary with a jaunt around North America.  They actually eclipsed the big 5-0 in 2014. 

There are only two original Who members left, Roger Daltrey and Pete Townshend.  When they conclude what they’re calling their final concert tour, both men will be in their seventies.

Both the Rolling Stones and The Who predate .mp3s by 30 years, iTunes by more than 35 years, and American Idol by nearly 40 years.  When The Stones and Who first started making music, television was still broadcasted in black and white, AM stations dominated terrestrial radio, and multi-track recording devices were in their infancy.

Other Classic Rockers
The Beach Boys experienced their 50th anniversary in 2011.  Three years later, the honor fell to The Kinks.  Three years from now, it’s Pink Floyd’s turn although it’s doubtful we’ll see them tour.  But, who knows, time does heal all wounds.

In 2019, Led Zeppelin and Santana will both turn 50.  The following year ZZ Top joins the half century club.  I’d expect celebratory tours from all three of those bands.

In 2022, the E Street Band turns 50.  Also reaching our numerical milestone that year will be the Eagles.

In 2023, Aerosmith will have been the “Bad Boys from Boston” for five decades.

Will we still be rocking in the future? 

In 2024, a decade from now, look for 50 candles on cakes belonging to KISS and AC/DC.  By then, both Paul Stanley and Gene Simmons will be in their seventies.  Angus Young will be 69. 

The Next Generation
In 2015, U2 turns 35.  That’s not 50 but it’s still impressive especially since the band has all of its original members.

Other bands that began in the early 1980s and will soon reach the 35-year mark include R.E.M. (1981), Phish (1983), Metallica (1983), Bon Jovi (1983), and Red Hot Chili Peppers (1984).

The year 1991 begat Pearl Jam.  They’ll hit the quarter century mark in 2016.

For some reason, this band’s age is the most surprising.  That’s probably because their sound is so associated with youth and youthful ideas.  In 2015, Green Day will be 25 years old.  It’s hard to believe that America’s greatest punk band is nearly old enough to pay for their own health insurance.

Be prepared for 2061.  That’s the year One Direction turns 50.

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The Who And Their 50th Anniversary Timeline

by Noiz 17. October 2014 11:28

The Who And Their 50th Anniversary Timeline

It’s little sad.  Roger Daltrey calls The Who’s upcoming North American tour “the beginning of the long goodbye.”  Okay, maybe it’s not that sad.  The Who have had a pretty good run, and they’re definitely well beyond their prime.  Still, it pulls at the heart strings when one of the all-time greats hangs them up (or at least threatens to).

The Who are celebrating their 50th anniversary with a lengthy trip around the New World.  The first leg begins April 15 in Tampa, Florida and ends May 30 in Forest Hills, New York.  The second leg commences Sept. 14 in San Diego and concludes Nov. 4 in Philadelphia.  If you combine both legs, The Who will be performing 38 concerts.

The Who have recorded a new track, their first in eight years, called “Be Lucky.”  You can find the new song on the double-disc, greatest hits collection, The Who Hits 50!  The album contains 41 of the band’s most important singles as well as the aforementioned “Be Lucky.”  The opus drops Oct. 27, 2014.

The Who is celebrating a half century of existence with a tour and a greatest hits collection.  Clickitticket is celebrating the historic occasion with a timeline chronicling the band’s major achievements through the years.  We start in 1964…

In an effort to appeal to a mod audience, Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon release “Zoot Suit” under the name The High Numbers.  The single bombs prompting the band to change their name to “The Who.”  They also acquired new management.

Notable Singles:
“Zoot Suit”

The Who destroys their instruments on the British television program Ready, Steady, Go.  They also become very popular on U.K. pirate radio stations.  Late in the year, the band fires Daltrey.  He’s rehired under the condition that The Who becomes a democracy.  Hitherto, Daltrey had led The Who with an iron fist.

Notable Singles:
“I Can’t Explain”
“My Generation”

My Generation

The Who sees their recording contract with British Decca/Brunswick come to an end and a new one with Polydor begin.  In the United States, they still remain with Decca.  Producer Kit Lambert introduces Townshend to a wide range of classical music thus inspiring him to write “I’m a Boy.”

Notable Singles:
“The Kids Are Alright”
“Happy Jack”
“I’m A Boy” 

Ready Steady Who (EP)
A Quick One

The Who plays the Monterey Pop Festival, appears on The Smothers Brothers Comedy Hour, and tours the United States as the opening act for the Herman’s Hermits and Eric Burdon and the Animals.

Notable Singles:
“Pictures of Lily”
“I Can See for Miles”

The Who Sell Out

Pete Townshend reads the works of Meher Baba for the first time.  Baba’s teachings inspire Townshend to compose the rock opera Tommy, which the band works on throughout most of 1968.  In December, The Who performs in The Rolling Stones Rock and Roll Circus.  The Who blew the roof off of the proverbial circus tent, but the Stones didn’t like their set and the project was shelved until 1996.

Notable Singles:
“Magic Bus”

Magic Bus: The Who On Tour (compilation)
Direct Hits (compilation)

Basking in the commercial and critical success of Tommy, The Who performs at Woodstock for $13,000.  They take the stage at 5am on Sunday and play most of their new rock opera.  As if planned, the sun rises as the band performs “See Me, Feel Me.”  The Who didn’t enjoy their Woodstock experience (especially the interruption by Abbie Hoffman).  They’re happier with their performance at the Isle of Wight Festival.

Notable Singles:
“Pinball Wizard”
“I’m Free”


The Who are now mentioned in the same breath as The Beatles and The Rolling Stones.  They are also viewed as the best live act in rock music.  The band tours to support Tommy and becomes the first rock band to ever play at New York City’s Metropolitan Opera House.

Notable Singles:
“The Seeker”
“Summertime Blues”
“See Me, Feel Me”

Live at Leeds (live)
Tommy (EP)

John Entwistle becomes the first member of The Who to release a solo album (Smash Your Head Against the Wall).  Meanwhile, Townshend begins working on a project called Lifehouse, which is meant to be a multi-media project about the artist and his audience.  It’s soon scrapped for being too complicated.  The project’s collapse causes Townshend to have a nervous breakdown. 

Notable Singles:
“Won’t Get Fooled Again”
“Behind Blue Eyes”

Meaty Beaty Big and Bouncy (compilation)
Who’s Next

The first part of the year is spent recuperating from a heavy touring schedule.  The rest of the year sees the band fighting.  Daltrey believes Townshend is getting pretentious and Townshend believes Daltrey is only in it for the money.  Also, a rift forms in the band over the effectiveness of their managers Kit Lambert and Chris Stamp. 

Notable Singles:
“Baba O’Riley”
“Join Together”

The Who cut ties with Lambert and Stamp and hire Bill Curbishley as their new manager.  The band launches a tour in late October that’s plagued by technical problems and internal squabbles.  Daltrey knocks out Townshend and Townshend publically berates the band’s sound man. 

Moon passes out during a concert in the United States.  After a break, Townshend asks the audience if anyone can play the drums.  Fan Scot Halpin volunteers and the concert continues.  In Montreal, Townshend, Moon, and Entwistle are arrested for trashing a hotel room.

Notable Singles:
“Love Reign O’er Me”


The band works on a film version of Tommy.  Townshend and Entwistle supervise the soundtrack while Daltrey stars as “Tommy.”  Moon does little as he’s now living in Los Angeles. 

Notable Singles:
“The Real Me”
“Long Live Rock”

Odds & Sods (compilation)

Tommy (film) debuts in March.  The movie and its soundtrack are well received by both critics and fans.  In December, The Who plays to a record crowd of 78,000 at the Pontiac Silverdome in Detroit, Michigan.

“Squeeze Box”

The Who by Numbers
Tommy (soundtrack)

The Who enters the Guinness Book of Records for loudest concert— they manage to rock at over 120 dB.  After their tour ends, the band takes a break.  During this time Townshend meets Steve Jones and Paul Cook of the Sex Pistols. The incident inspires Townshend to write the song “Who Are You.”

Notable Single:
“Slip Kid”

The Story of The Who (compilation)

The Who performs at the Gaumont State Cinema in Kilburn, London.  It’s their only performance of the year and one judged to be fairly poor.  Moon’s lack of fitness contributes to the poor gig and is the reason why 1977 transpires without a Who tour.

On Sept. 7, Keith Moon dies from a drug overdose.  In November, the band hires Kenney Jones as his replacement. 

Notable Singles:
“Who Are You”
“Trick of the Light”

Who Are You

The Who returns with concerts in England, France, West Germany, New Jersey, and New York City.  The band also celebrates the release of Quadrophenia (film).  The movie stars Sting.  The documentary The Kids Are Alright is also released. 

During the last month of the year, The Who becomes the third rock band (after The Beatles and The Band) to adorn the cover of Time magazine.  On Dec. 3, 11 people are crushed to death at a Who concert at the Riverfront Coliseum in Cincinnati, Ohio. 

Notable Singles:
“Long Live Rock”

The Kids Are Alright (soundtrack)
Quadrophenia (soundtrack)

Daltrey stars in the film McVicar and works on the soundtrack.  From March through July, The Who embarks on their second tour without Keith Moon.

McVicar (soundtrack)

The Who tours England and Scotland.  Then on March 28 they appear on West German television (Rockpalast).

Notable Single:
“You Better You Bet”

Face Dances
Phases (compilation)
Hooligans (compilation)

Townshend overcomes his brief heroin addiction.  The band also launches a 40-date trek of North America that’s billed as their last.  Their opening act is The Clash.

Notable Singles:
“Eminence Front”

It’s Hard

Townshend tries to write material for a new Who album but is unable to come through.  He works on solo material instead. 

“It’s Hard”

Who’s Greatest Hits (compilation)
Rarities Volume I & Volume II (compilation)

Roger Daltrey releases his fifth studio album, Parting Should Be Painless.  It bombs.

“Twist and Shout”

Who’s Last (live)
The Singles

The Who reunites to perform at Live Aid at Wembley Stadium.

Who’s Missing (compilation)
The Who Collection (compilation)

Daltrey appears in the television series Buddy.

In July, a limited edition Pete Townshend Rickenbacker guitar goes on sale. 

Two’s Missing (compilation)

The Who is honored with a Lifetime Achievement Award at the Brit Awards.  They perform at the ceremony.  It’s the second-to-the-last gig Kenney Jones plays with the band.

Who’s Better, Who’s Best (compilation)
Won’t Get Fooled Again (EP)

The Who reunites to celebrate their 25th Anniversary.  Due to tinnitus, Townshend doesn’t play lead guitar, only acoustic.  Simon Phillips is tapped to play the drums.  While fans flock to see the Who, critics don’t like the fact that they’re backed by a cadre of musicians. 

The Who is inducted into the Rock and Roll Hall of Fame.

Join Together (live)

The Who records “Saturday Night’s Alright for Fighting” for an Elton John and Bernie Taupin tribute album.   It’s the last studio recording by The Who to feature Entwistle.

Daltrey performs “I Want It All” at the Freddie Mercury Tribute Concert.

Townshend releases the concept album Psychoderelict.  He also releases a book The Who’s Tommy about the Broadway version of his rock opera.

Daltrey celebrates his 50th birthday with a pair of concerts at Carnegie Hall in New York City.  Entwistle and Townshend also appear and all three join together during a performance of “Join Together.”

Thirty Years of Maximum R&B (compilation)

Entwistle appears with Ringo Starr's All Starr Band.

The Who performs Quadrophenia at Hyde Park in London for the Prince’s Trust.  The shows are well received and the three eventually hold a six-night stand at Madison Square Garden in New York City.  The concerts lead to a full-fledge concert tour.  It begins Oct. 13 in Portland, Oregon.

Live at the Isle of Wight Festival 1970 (live)
My Generation: The Very Best of the Who (compilation)

The Who continues their 1996 tour with a European leg and another jaunt around North America.

VH1 releases a list of the 100 Greatest Artists of Rock ‘n’ Roll.  The Who places ninth.

The Who plays a series of one-off concerts as a five-piece band—Zak Starkey on drums and John Bundrick on keyboards.  Their Las Vegas show was broadcasted on television and the internet.  They also play Neil Young’s Bridge School Benefit, the House of Blues in Chicago, and two charity shows at the Shepherds Bush Empire in London.

20th Century Masters: The Millennium Collection: The Best of The Who (compilation)

The Who, again as a five-piece outfit, launch a four-leg, 38-show tour of North America and Europe.  Although not officially part of the tour, their outing begins with a charity concert in New York City.  It ends with a charity performance at London’s Royal Albert Hall.

BBC Sessions (live)
Blues to the Bush (live)

The Who are honored with a Grammy Lifetime Achievement Award.  In October, they play The Concert for New York City.

On June 27, on the eve of the band’s North American tour, John Entwistle is found dead at a Las Vegas hotel.  He died from a heart attack induced by cocaine.  Townshend and Daltrey decide the show must go on.  Fortunately, they are able to secure the talents of bassist Pino Palladino.  They rehearse for two days and began the tour on July 1 in Los Angeles at the Hollywood Bowl.  The final Who concert of 2002 occurs Sept. 28 in Toronto.

The Ultimate Collection (compilation)

Townshend is placed on the sex offenders register for five years after admitting he used his credit card to visit a site that offered access to child pornography.  It’s later revealed that Townshend didn’t visit any child porn sites.

Live at the Royal Albert Hall (live)

The Who undertake a three-leg, 18-show tour which features their first ever performances in Japan and their first shows in Australia since 1968.  On their list of the 100 Greatest Artists of All Time, Rolling Stone magazine ranks The Who at 29.

“Real Good Looking Boy”

Then and Now (compilation)
The 1st Singles Box (compilation)

The Who performs an acoustic set at a charity concert in New York City.  They also perform at Live 8.  On his blog, Townshend posts a novella, The Boy Who Heard Music.  The prose inspires the mini-opera “Wire & Glass.”  The band is inducted into the UK Music Hall of Fame.

Zak Starkey is invited to join The Who.  He declines so he can play for both The Who and Oasis.  On June 7, The Who begins a massive tour to support Endless Wire. 

Notable Singles:
“Wire & Glass”
“It’s Not Enough”

Endless Wire
Live from Toronto (live)
Wire & Glass (EP)

On Oct. 6, The Who concludes a 112-concert tour that began in 2006.  The Amazing Journey: The Story of the Who (documentary film) is released. 

View from a Backstage Pass (live)

The Who performs at the Teenage Cancer Trust Benefit concert in London, VH1 Rock Honors in Los Angeles, and Rock Band 2 launch party (also in L.A).  The Who kicks off a modest world tour on Oct. 21.  Their route includes stops in Japan.

Amazing Journey: The Story of the Who (soundtrack)

The Who continues the tour they started in 2008 with seven shows in Oceania and another appearance at the Teenage Cancer Trust Benefit.  The Amazing Journey: The Story of the Who receives a Grammy nomination.

Greatest Hits (compilation)

The Who rocks the halftime show at Super Bowl XLIV.  On March 30, The Who performs Quadrophenia at the Royal Albert Hall for the Teenage Cancer Trust Concert.

Greatest Hits Live (live)
Greatest Hits & More (compilation)

The Who plays four songs at the Killing Cancer Benefit in London at the Hammersmith Apollo.

Icon (compilation)
Icon 2 (compilation)

The Who is the final act at the closing ceremony of the 2012 London Olympics.  They also play 12-12-12: The Concert for Sandy Relief.  Their “Quadrophenia and More” tour begins Nov. 1 in Sunrise, Florida.

Live at Hull (live)
Pinball Wizard: The Collection (compilation)

The Who wraps up their “Quadrophenia and More” tour on July 8.  In October, Townshend tells the media that The Who will tour for one more time in 2015.

Kenny Jones plays with The Who in June at a charity concert.  Later in the year, The Who releases their itinerary for their “The Who Hits 50!” tour.  The sojourn gets underway in late November in Abu Dhabi.

“Be Lucky”

Quadrophenia: Live In London (live)
The Who Hits 50! (compilation)

The Who launches the “final” tour of their career on April 15.  It ends Nov. 4 in Philadelphia. 

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Melissa Etheridge Banned From Book Store For Being Too Sexy

by Noiz 12. October 2014 19:40

Melissa Etheridge Banned From Book Store For Being Too Sexy

During her upcoming tour, you’ll be able to hear any song Melissa Etheridge wishes to play.  The singer-songwriter kicks off a 25-date trek of the U.S. on Nov. 2.  It ends Dec. 12.  Look for Etheridge to perform all over the country including venues in New York City, Boston, Chicago, Orlando, Houston, and Los Angeles.

When the curtain goes up, you can rest easy that the “Man” won’t be there to unplug her amp or silence her microphone.  You can’t say the same thing when you’re inside the walls of a certain retailer.  You see, Melissa Etheridge has recently encountered the “B word.”  And by that, I mean her music has been banned.

Fight the power!  Speak truth to power!  Melissa Etheridge fans united will never be divided!

Here’s the reason why my fist is in the air and I’m not going to take it anymore: bookstore chain Barnes & Noble has banned Melissa Etheridge’s music from their stores.

I know it’s hard to believe that Barnes & Noble, or any bookstore for that matter, is still in business, but it should not take a stretch of the imagination to believe that the Fortune 500 company has banned Etheridge’s music from playing in all of their 661 retail stores.

Okay, that’s a little bit of an exaggeration.  They’ve only banned ONE of her songs (and they’re still selling her products).

"I've been banned from Barnes & Noble... They said, 'We'll play the whole album, but we won't play that song'.” — Melissa Etheridge

To further squash my righteous indignation, Ms. Etheridge is fine with it.  She completely understands the bookseller’s point of view.

“I have eight-year-old kids and I don't want to have my kids walk into Barnes & Noble, into the kids' section, and hear some lusty lady singing about her thighs...” — Melissa Etheridge

The song in question is “All The Way Home” from the heartland singer’s latest album This Is M.E.—the opus dropped Sept. 30.  Apparently, the track is something of a lesbian sex anthem.  The largest book retailer in the United States and Etheridge both agree that it’s not appropriate for young ears.

Kudos to Etheridge for using some good, old-fashioned common sense and not overreacting like I did in the beginning of this article.  This isn’t the end of free speech.  This isn’t a case of unabashed censorship.  It’s just the sagacious recognition that not everything is appropriate all the time.

If there was an attempt to ban “All the Way Home” from Melissa Etheridge’s upcoming tour, or current album, then we’d have a legitimate reason for outrage and exasperation. 

In this day and age of knee-jerk reactions, and blind rushes to judgment, it’s nice to learn about an artist, and a publically traded company, exhibiting some responsible acumen. 

Still, “All The Way Home” falls into the frighteningly large category of banned songs.  Sadly, most banned songs haven’t been excluded from play with the same wisdom as Etheridge’s sexy ditty.  Some bans are the product of ignorance while some defy explanation.  Fortunately, banning songs seldom ever works.  A ban usually brings far more attention to a piece of music then had the detractors just left it alone.  

The British Broadcasting Corporation, or BBC, has banned a number of songs from its radio and television stations and have done so for years.  They’ve banned songs for a variety of reasons including language, sexual content, references to drug use, politics, mentioning commercial products, and being too maudlin.  They’ve also banned pop versions of classical music.

Some of the songs the BBC has banned have included “Deep in the Heart of Texas,” “I’ll Be Home for Christmas,” “Monster Mash,” and “Teen Angel.”  Those are not exactly airs that come to mind when you hear the term “banned.”

The BCC also banned the theme song from the movie The Man with the Golden Arm.  That was an interesting banishment since the theme is an instrumental.  It was barred because it came from one of the first Hollywood films to seriously tackle drug addiction. 

The BCC claims it no longer bans songs from its airwaves and has reinstated several pieces of music that have been previously prohibited from broadcast.  However, in 2013, after the death of former British Prime Minister Margaret Thatcher, the song “Ding-Dong! The Witch is Dead” surged up the charts.  The BBC did not play the song during its countdown show.

Clear Channel
In 2001, in response to the terror attacks of 9/11, Clear Channel Communications sent out a memorandum to its 1,200 radio stations that contained a list of songs deemed “questionable.”  Clear Channel said they didn’t ban any song but just suggested to their employees that they don’t play them.  I’ve worked for Clear Channel and the list was NOT a suggestion.

Obviously, decency and common sense should have prevented disc jockeys from spinning a song like Dave Matthews Band’s “Crash into Me” or AC/DC’s "Shot Down in Flames" in immediate wake of the attacks.  I’ll admit there was a gray area between an appropriate period of mourning and the much needed return to normal.  Despite the temporal ambiguity, banning songs seemed reactionary and a little oversensitive.  We needed to embrace freedom, not squash it.

By the way, songs banned by Clear Channel included: "Ob-La-Di, Ob-La-Da," “Mack the Knife,” "Walk Like an Egyptian," "Daniel," “Ironic,” and "99 Luftballons."  Every song by Rage Against the Machine as well as every version of “Knockin’ on Heaven’s Door” were also prohibited.

“Love Is A Good Thing”
If any artist knows how Melissa Etheridge feels it’s Sheryl Crow.  Both lady rockers had run-ins with huge retailers.  In Crow’s case it was the world’s largest retailer.  Walmart banned Crow’s 1996 self-titled album from their shelves.  They banned the record over one song, “Love Is a Good Thing.”

The track contained the lyric: "watch our children while they kill each other with a gun they bought at Wal-Mart discount stores.”  For some reason, Wal-Mart took exception to Crow’s words. 

Crow’s record company was furious and the artist worried that her friends and family in Missouri wouldn’t be able to purchase the oeuvre (What! No free copies, Sheryl?).  At that time, Wal-Mart had already surpassed record stores in album sales.

“Street Fighting Man”
The Rolling Stones released “Street Fighting Man” in the United States on Aug. 31, 1968.  Nowadays, Mick Jagger and Keith Richards believe their classic carol is rather meaningless, but in 1968 it was the most politically charged work of their career.  Radio stations in Chicago, host of the 1968 Democratic National Convention, refused to play the single due to fears of additional rioting.  The embargo delighted the Stones.

"I'm rather pleased to hear they have banned [“Street Fighting Man”]. The last time they banned one of our records in America, it sold a million." — Mick Jagger

“Walk On”
In 2000, if you tried to import U2’s album, All That You Can’t Leave Behind, into Burma you would have faced a prison term of up to 20 years—and you thought Pop was criminal.  The reason the Burmese government came down so hard on U2’s tenth studio collection is because of the song “Walk On,” which the country also banned.  U2 dedicated the song to pro-democracy activist Aung San Suu Kyi.  At the time, Suu Kyi was under house arrest.

 The Mild and The Innocent
Several songs that are seemingly beyond benign have received banishment from radio stations (at least a few of them).  Here’s a collection of songs that are routinely played on soft rock stations… 

>>John Denver’s “Rock Mountain High,” one of Colorado’s two state songs, was banned by a bunch of radio stations in the 1970s because it was believed to promote drug use.  The ban was lifted after Denver, who has worked with such subversive entities as The Muppets, said the word “high” had nothing to do with drugs.  In 1985, Denver testified before Congress about the meaning of his song (apparently the lawmakers had nothing better to do).

>>Olivia Newton-John is on the short list to receive the honorific title “Queen of Adult Contemporary.”  That legacy was in jeopardy in 1981 when she released the racy single “Physical.”  Racy if you’re from Victorian England.  Thanks to sexually charged lyrics like “There's nothing left to talk about unless it's horizontally" some radio stations actually banned the song—cause you know, “horizontally” is such a sexy word.  The single spent ten weeks at number one.

>>Jimmy Boyd recorded “I Saw Mommy Kissing Santa Claus” in 1953.  He was 13.  The single immediately caught the ire of the Roman Catholic Church in Boston and it was banned.  The ban was lifted after Boyd explained that “mom” wasn’t being a skank; she was just observing the custom of kissing someone standing under a sprig of mistletoe.

>>Nearly 20 years later, Billy Joel’s “Only the Good Die Young” raised the dander of the same religious organization.  Joel didn’t mind as the well-intended efforts to ban his jingle about trying to get into the pious pants of “Virginia” helped push the single up the charts.  Later, the piano man reminded the offended that in the tune he doesn’t get anywhere with the chaste school girl.

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